Reference charts
A reference sheet promises completeness within its subject. Every letter, every status code, every prefix, every phase — not a selection of the handy ones. That promise is what makes it worth wall space: you can stop wondering whether the answer is on there.
It is the largest kind in the catalogue and it runs across most of the subjects — alphabets and codes, the geography of instruments, the tea and coffee sheets, units and paper formats, the planets and the Moon.
Because they are dense, they reward the larger print. A3 is usually the right call for anything read from more than a metre away.
DI, REAMP AND PREAMP
three boxes on one ruler of levels — where each one leads from and to
DRUM KIT NOTATION
where every drum and cymbal sits on the staff — per the Percussive Arts Society standard
EQUAL TEMPERAMENT
how many cents each interval misses the pure one by, and why exactly that much
NOTES ON THE FRETBOARD
standard tuning E A D G B e · first twelve frets
THE PENTATONIC
three positions · the root is marked
STRING MATERIALS
what they are drawn from, how one wrap differs from another and what of that is audible
TONEWOODS
density, hardness, export · what is measured kept apart from what is taste
LOUDNESS ON DELIVERY
integrated loudness, true peak and the room between them — from the documents, not from hearsay
MICROPHONE TYPES
what picks the sound up and where it stays deaf — five patterns from one formula
INSTRUMENT FREQUENCIES
fundamentals and overtones · 20 Hz – 20 kHz, logarithmic scale
THE STEREO FIELD
what stays centred · what is spread · why the low end is not panned
MUSICAL DYNAMICS
the loudness marks from pp to ff, crescendo and diminuendo hairpins — and how the piano got its name
THE SEVEN MUSICAL MODES
the same white keys · a different root
NOTE FREQUENCIES
the fundamental of every note in hertz · equal temperament, A = 440 Hz
NOTE VALUES
from whole to thirty-second · how many fit a 4/4 bar
C MAJOR FINGERING
right and left · one octave and two
B FLAT MAJOR FINGERING
right and left · one octave and two · two flats · B flat and E flat
D MAJOR FINGERING
right and left · one octave and two · two sharps · F sharp and C sharp
F MAJOR FINGERING
right and left · one octave and two · one flat · B flat
G MAJOR FINGERING
right and left · one octave and two · one sharp · F sharp
THE KEYBOARD
three octaves · every key and its note on the staff
THE SOPRANO RECORDER
all 27 notes from C5 to D7 in the Baroque and German systems — and how to tell which one you hold
SNARE DRUM RUDIMENTS
the forty international rudiments of the PAS · four families · the Standard 26 marked
DADGAD
D — A — D — G — A — D